REVIEW Theatrical

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What They Say About

Me and My Girl

Pittsburgh Post-Gazette 


"Ann Kittredge makes a sleek, catty seductress."

Moon Over Buffalo

Cape Cod Times


"Ann Kittredge steals the show as the Hays' daughter Rosalind, particularly in the hilarious balcony scene from the Hays' production of Noel Coward's "Private Lives." Ms. Kittredge's performance in this scene is outstanding."

Kiss Me, Kate

Democrat and Chronicle


“Nothing is funnier than Ann Kittredge’s performance of Kate’s soliloquy, I Hate Men, or more convincing than her rendering of Lilli’s reflective soliloquy, So In Love. She is a striking woman with a gift for comedy.

Me and My Girl

Pittsburgh Post-Gazette 


"Ann Kittredge makes a sleek, catty seductress."

Moon Over Buffalo

Cape Cod Times


"Ann Kittredge steals the show as the Hays' daughter Rosalind, particularly in the hilarious balcony scene from the Hays' production of Noel Coward's "Private Lives." Ms. Kittredge's performance in this scene is outstanding."

Music Man

Palm Beach Daily News


"Because “Music Man” is so familiar...it must be fresh as this morning’s daisies to retain credibility. Ann brings just such a freshness to her Marian...Kittredge’s soprano voice is one of those gorgeous instruments often described as “bell-like” for its clarity and ringing tone. Even more winning is the way she underscores her character’s repressed sensuality. We really root for Marian to get together with slippery Harold, which makes the story all the more satisfying."

Cabaret Verboten

Boston Herald 


"The estimable Ann Kittredge, who was so alluringly and tragically reserved as the title character in G&S's “Iolanthe” last season at the Huntington, turns in a steamy performance here...Kittredge’s rendition of a song about Attila, with the ravished refrain “my Attila, my hun,” is a sexy highlight, and her performance of the final, chilling anthem of alienation, “I Don’t Know Who I Belong To,” is devastating."

Brigadoon

Florida Tribune


"Ann Kittredge is enchanting as Fiona MacLaren, the lass who falls in love with the 20th century American. She is both determined, proud and heart-breakingly vulnerable."

Music Man

Palm Beach Daily News


"Because “Music Man” is so familiar...it must be fresh as this morning’s daisies to retain credibility. Ann brings just such a freshness to her Marian...Kittredge’s soprano voice is one of those gorgeous instruments often described as “bell-like” for its clarity and ringing tone. Even more winning is the way she underscores her character’s repressed sensuality. We really root for Marian to get together with slippery Harold, which makes the story all the more satisfying."

Cabaret Verboten

Boston Herald 


"The estimable Ann Kittredge, who was so alluringly and tragically reserved as the title character in G&S's “Iolanthe” last season at the Huntington, turns in a steamy performance here...Kittredge’s rendition of a song about Attila, with the ravished refrain “my Attila, my hun,” is a sexy highlight, and her performance of the final, chilling anthem of alienation, “I Don’t Know Who I Belong To,” is devastating."

Eleanor

Pittsburgh Post-Gazette


"Much of the show’s success is due to its leads. In what is basically an ugly duckling story, Ann Kittredge is a feeling center. Eleanor may seem too passive, but the reasons for her passivity are the drama’s point. To her moving acting, Kittredge adds a rich voice that gives her songs personality and distinction."

Cabaret

Boston Herald 


"Kittredge's Sally is immediately engaging. Tall and long-limbed, with creamy complexion and a red bob, Kittredge exudes sensuality in adundance...Whether lying on a bed singing about the new love in her life or gaining her composure after a spat with Cliff, this Sally has an unmistakable appeal."

Paint Your Wagon

Seattle TImes


"Ann Kittredge is a strong actress who plays the young Jennifer like a cross between Olive Oyl and Carol Burnett."


Eleanor

Pittsburgh Post-Gazette


"Much of the show’s success is due to its leads. In what is basically an ugly duckling story, Ann Kittredge is a feeling center. Eleanor may seem too passive, but the reasons for her passivity are the drama’s point. To her moving acting, Kittredge adds a rich voice that gives her songs personality and distinction."

Cabaret

Boston Herald 


"Kittredge's Sally is immediately engaging. Tall and long-limbed, with creamy complexion and a red bob, Kittredge exudes sensuality in adundance...Whether lying on a bed singing about the new love in her life or gaining her composure after a spat with Cliff, this Sally has an unmistakable appeal."

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